Usually, this involves emulating the warmth of bucket-brigade chips as heard in guitar pedals such as the Electro-Harmonix Memory Man or MXR Carbon Copy. Here’s a breakdown:Īnalogue – really analogue-style – means a delay that has been designed to take after real-world circuits. What types of delays are there, and how are they different?įor this list, we’ll categorise delay plug-ins into four types: analogue, digital, tape and creative. Essentially, if you set the feedback setting all the way up, the delay feeds back into itself infinitely adjusting the time setting while this happens lets you fluctuate the pitch in some very trippy and fun ways.Īnd sure, while you can automate self-oscillation through your DAW, take it from us: it’s a lot more fun and intuitive when you can actually get your hands on the dials – so consider getting a MIDI controller if you haven’t already got one. On self-oscillation: it’s a sound you’ve probably heard before (For reference, check out the ending of Radiohead’s Karma Police). With the latter, this is done by feeding the repeated sound back into the delay, hence the term feedback. Time controls how long it takes before a sound is first repeated, while feedback decides how many repeats there will be. That falls mainly on three ubiquitous delay controls: time, feedback (sometimes referred to as repeats or regen) and mix. These will sound different based on your delay’s tone and temperament, and we’ll go through how to do that next… How do delays work?Īs their name suggests, a delay’s main function is to repeat (or echo) a sound a set number of times, and it’s on the user to decide how it should sound to best fit their production. They can also be applied creatively to create sonic webs and arpeggiated pulses – or even as a callback to a particular era of recording: throwing on some slapback delay onto a vocal or guitar track for a 50s-recording feel.ĭelays can also be “played” as instruments, achieving wild and pitchy fluctuations when you set them to self-oscillate.
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